slantsix said:
Yes, I might have to investigate the mirrorless option. For now my somewhat antiquated D610 is good enough for stills and marginally good for action.
Here are some more shots from the summer collection of 2024:
so, I'm in the process of selling off (most) all of my Sony mirrorless stuff (an A7 II, some lenses) and a couple of Canon DSLR lenses to MPB. I've been dinking around the last two years, after shooting a Canon 5D III during OneLap, being unhappy with my Sony gear. I've got some personal reasons why I don't want to hop over to Canon mirrorless, even though that seems like a no-brainer (having liked them in the past and have DSLR stuff to aid the swap).
Around late August, I realized Nikon mirrorless was the way to go for me in the future. They have the shallowest sensor-flange depth, and widest flange diameter, such that one can actually mount Sony FE/E mount mirrorless lenses to Nikon mirrorless bodies with an adapter (among a whole bunch of other stuff). So, as a "toe in the water" step, I bought a Nikon D3200 and a 16-85mm f3.5-5.6 lens for $250. It hasn't been all roses, but I'm much happier with the files I'm getting out of the Nikon compared to the A7 II and a6400 I've been shooting. I'm still weighing what setup I want to end up with, but with used Z5's hovering around $800... I think a Z5 and Z50 setup might be where I end up. In the meantime, though, the D3200 is doing great, and there's a bunch of DSLR stuff available on MPB (and KEH, etc) that's "cents on the dollar"... so don't give up on your D610 yet.
I dunno what mode you're shooting in here. if it's P or Auto, I'd suggest you switch over to "S" mode so you can set the shutter speed, and see if you can crank it down to 1/Focal Length. Or, if your lens has "VR", then start trying around 1/100 to 1/160th of second, and that'll hep you start getting more motion blur in the wheels... which will help images like these above look more "dynamic", if that's what you want to go for. Just keep in mind, that you'll have to work on keeping your panning along with the car smooth, because the slower shutter speed can mean that some blur can creep into the photo from the 'sweep' of the camera not quite matching up with that of the car as it goes by you.
otherwise: awesome job! keep it up!