David S. Wallens wrote:
I keep saying this, but one day I need to run some film through my really old cameras. My dad gave me a bunch of his folding cameras--most are approaching 100 years old. I think I can find/modify film. Talk about basic.
Plate cameras, right? I think a lot of them can be modified to take sheet film holders instead of the plate holders. Fortunately sheet film in popular sizes like 5x4 etc is still available.
David S. Wallens wrote:
We have way too many cameras in the house.
Yes, don't I know that problem. I'm actually getting rid of some as I can't bring all of them with me but the ones I like best (a Leica M2 with a couple of lenses and a couple of Contax/Yashica SLRs with Zeiss lenses) are here to stay. I'd still love a small-ish view camera, but that will have to wait.
ClemSparks wrote:
I've always wanted to get a good manual 35mm slr and play around with it. I had a photography class in HS and was able to use my father's old Nikon (I have no recollection of the model). It had an auto mode, but of course, for the class we typically used manual settings. What I really liked abou it was the light meter that was built in.
So my reason for posting...if I was looking for a basic 35mm slr to do some hobby photography...what should I be looking for? Used is almost always my primary source...but I assume that shouldn't be a problem what with the prevelance of ebay and craigslist.
The main thing to look for is the availability of high-quality lenses. Most of the Japanese mainstream cameras are pretty robust (there are certain exceptions, though) and should represent a decent buy. Popular choices would of course be Nikon or Canon, both good with plenty of used gear available. I'm not that well versed in the manual cameras made by these manufacturers (I'd probably just go look for a Nikon FM or FM2, both very good bodies) so I'll let others chime in on that one.
Personally, I quite like Minolta - my favourites are the SRT303b body (which I still have, fully mechanical, needs a battery only for the light meter) and the XD7 body (more automation but can be used fully manual as well). Both can be found quite cheap and regular Minolta lenses don't break the bank either. The ones I'd recommend are the 85mm/1.7 (a very, very good portrait lens and yes, I've got one), the 35/1.8 is pretty good as well and the 24 & 28mm are rather decent, too. All of the above with the potential exception of the 35mm & 85mm can be had cheap - especially the 85mm is still a bit sought after but it's not a massively expensive lens.
My personal favourite for 35mm SLRs are Contax, the ones made by Yashica in the 70s and 80s after Yashica struck a licensing deal with Carl Zeiss (who own/owned the Contax brand). They are a little quirky, but they do work very well. Lenses for them - well, the Contax lenses are all designed by Carl Zeiss (the then West German one, not the East German one), some of them were built there and some of them are made in Japan. All of them are either very good or utterly superb. Unfortunately that's still reflected in the prices somewhat (one of my most loved lenses, the Zeiss 85/1.4 was about GBP1600 new and still trades around GBP300), but compared the results with a lens from another manufacturer and you can still see the difference. Am I a good enough photographer to do them justice? No. But my attitude has changed a little over the years and I simply do not want to have to get mad at my gear - I buy good or very good quality, used, and know that the problem is going to be behind the camera.
If I were on a budget, as mentioned I'd look at Minoltas because they are noticeably cheaper than the equivalent Nikons or Canons, there are a ton of lenses out there for them and if you buy the right model they shouldn't go wrong either. And if they do, they're cheap enough to be looked upon as disposable.